Sunday, 22 March 2015

Offscreen Festival



I've been quiet on here recently, mainly because teaching has been hectic but also because I have been involved in various scholarly activities (such as reviewing manuscripts). One such activity that is worth documenting is my recent trip to the Offscreen Festival in Brussels. I presented a paper entitled "Hard Body, Cold Heart: The Body in 80s Cinema" as part of the festival's symposium on Reaganite Cinema. 


Here I am outside the Cinema Nova with fellow speakers Alison Peirse, Russ Hunter and Jonathan Mack. The photo was taken by Sarah Ralph who was presenting on female action stars (including one of my favourites, Cynthia Rothrock).


The Cinema Nova is a fantastic location, and the organisers (most of whom are volunteers) were so welcoming and knowledgeable. Many thanks to everyone who attended and offered us such thoughtful questions on our papers. 

Friday, 20 March 2015

PhD Studentship Opportunity: Extreme Media

The Department of Media and Communication Design at Northumbria University is currently advertising PhD studentships in the following areas:

  • African social media
  • Extreme media
  • Gender and media
  • Industrial contexts of horror cinema
  • Italian film genres

Details are available at: https://www.northumbria.ac.uk/research/postgraduate-research-degrees/research-degrees/

The extreme media scholarship is begin offered by me - see advert below:

Dept / School / Faculty:
Department of Media and Communication Design | Northumbria University

Project Title:
New Theoretical Approaches to “Extreme” Media (ADSS/DRFMED7P/61878)
Project Supervisor(s):
Dr S Jones  (email: steve.jones@unn.ac.uk)  


Application Deadline:
31 March 2015




A growing number of scholars have addressed the notion of “extremity” in recent years, leading to exciting new developments in the fields of film studies and cultural studies. However, there is still much work to be done not only in developing our understanding of “extremity” as a concept, but also in critically engaging with the enormous variety of media texts that have been commonly understood as “extreme”. This PhD project will contribute to this emergent area of scholarship by developing new theoretical approaches to the examination of “extreme” media texts and/or the concept of “extremity” itself. Applications are invited on any aspect related to the topic, including (but not limited to) the following indicative themes: 

• Representations of violence in, for example, contemporary action or horror film 

• Moral/ethical theory and controversial subject matters 

• Taboo subject matter in, for example, “gross-out” comedy 
• “Extreme” bodies 
• Atrocity imagery 
• Genre-blurring and extremity 
• Issues relating to offence and regulating taste in the social sphere 
• Legislating and censoring “extreme” media 

Enquiries regarding this studentship should be made to: Dr Steve Jones, Steve.jones@northumbria.ac.uk, 0191 227 4036 

For further details of how to apply, entry requirements and the application form, see 
Please ensure you quote the advert reference above on your application form.


Funding Notes:
The full-time studentship provides full support for tuition fees, and an annual tax-free stipend at RCUK rates (for 2015/16 this is £14,057 p.a.)

Relevant publications by Steve Jones: 

  • Torture Porn: Popular Horror after Saw. Basingstoke: Palgrave-Macmillan, 2013 
  • Zombies and Sexuality: Essays on Desire and the Living Dead. Jefferson: McFarland, 2014 
  • “Gender Monstrosity: Deadgirl and the Sexual Politics of Zombie-Rape”, Feminist Media Studies, 13:4, 2013 
  • “No Pain, No Gain: Strategic Repulsion and The Human Centipede”, Cine-Excess Journal Launch Issue - Subverting the Senses: The Politics and Poetics of Excess, 2013 
  • “Torture Born: Representing Pregnancy and Abortion in Contemporary Survival-Horror”, Sexuality & Culture., 2015

Tuesday, 10 March 2015

Incredible Meshuggah Cover

Gotta hand it to these kids, they've got this down

Thursday, 5 February 2015

Presentation at University of Sunderland, 9th February


I will be presenting a paper based on my recent Sexuality and Culture journal article at the University of Sunderland on 9th February.

Centre for Research in Media and Cultural Studies
The Barbour Room (233)
The Media Centre St Peter's Campus
5.30-7.00pm

Here is the abstract for the paper:

Torture Born: Representing Pregnancy and Abortion in Contemporary Survival-Horror

In proportion to the increased emphasis placed on abortion in partisan political debate since the early 2000s, there has been a noticeable upsurge in cultural representations of abortion. This paper charts ways in which that increase manifests in contemporary survival-horror. This paper contends that numerous contemporary survival-horror films foreground pregnancy. These representations of pregnancy reify the pressures that moralistic, partisan political campaigning places on individuals who consider terminating a pregnancy. These films contribute to public discourse by engaging with abortion as an individual, emotional matter, rather than treating abortion solely as a matter of political principle. This paper will posit that survival-horror—a genre that has been roundly disparaged by critics—makes an important contribution to sexual-political discourse: these films use horror to articulate “the things we cannot say” about abortion.

Tuesday, 27 January 2015

XX - Initial Impressions Regarding a Female-Helmed Horror Anthology

XX is a horror anthology film featuring short films made by Karyn Kusama, Mary Harron, Jennifer Lynch and Jovanka Vuckovic. The film has not yet been released, so it is difficult to comment on the project in much depth.

So far, there are two aspects of the film that I want to draw attention to:

1) The poster is awesome


2) Some people are already bashing the film on the basis of its premise. I agree it is awful that the directorial collective is being singled out on the basis of gender, as if it is incredible to think that women might direct horror. However, it is even more awful that the project is remarkable: that there are not more women directing horror (or at least there is a lack of industrial and commercial support for horror projects helmed by women). The crass responses to XX documented here create the conditions under which an intervention such as XX is both noteworthy and necessary. It is tragic that some individuals conflate support for female-fronted creative endeavours with an anti-male sentiment before the product has launched. 

Tuesday, 20 January 2015

Forthcoming Presentation: 9/2/15


I have been invited to present a paper based on my recent Sexuality and Culture journal article at the University of Sunderland on 9th February. I'll update the blog with details as soon as I have a more specific location and time.

In the meantime, here is the abstract for the paper:

Torture Born: Representing Pregnancy and Abortion in Contemporary Survival-Horror

In proportion to the increased emphasis placed on abortion in partisan political debate since the early 2000s, there has been a noticeable upsurge in cultural representations of abortion. This paper charts ways in which that increase manifests in contemporary survival-horror. This paper contends that numerous contemporary survival-horror films foreground pregnancy. These representations of pregnancy reify the pressures that moralistic, partisan political campaigning places on individuals who consider terminating a pregnancy. These films contribute to public discourse by engaging with abortion as an individual, emotional matter, rather than treating abortion solely as a matter of political principle. This paper will posit that survival-horror—a genre that has been roundly disparaged by critics—makes an important contribution to sexual-political discourse: these films use horror to articulate “the things we cannot say” about abortion.

Thursday, 8 January 2015

Autumn: Simulating PTSD

I am reluctant to refer to Autumn as a "game" (although the developers use that term themselves); rather it is an attempt to metaphorically simulate the experience of PTSD following sexual assault. The result is as haunting as it is unsettling.



Given the number of rape threats thrown around in gaming forums recently, Autumn is a sobering and necessary intervention that takes sexual assault seriously, focuses on aftermath rather than the attack itself, and seeks to foster empathy: the essential facets that are missing from or are negated by the idle rape threats and jokes that are too often proliferated on social media.

This is a story about the struggles and conflicts with fear; the guilt and the shame; but also about perseverance and healing. Autumn is about the aftermath of an attack and sexual assault.
Autumn has been designed to take people through the looking glass, using Oculus Rift to step into someone else’s reality. We ask of our players to experience something terrible, but also to be part of the healing process and empathize with the vulnerability of a rape survivor.
We believe that an interactive experience, where you literally walk in someone else’s shoes, is the best medium to explain what words alone cannot. We also believe that games can be about meaningful and important topics, capable of exploring uncomfortable and thought provoking subjects, just like film, literature and other media are capable of doing too
Tusmørke is a two people team, a designer and a developer. We have created Autumn because we believe that an interactive experience, where you literally walk in someone else’s shoes, is the best medium to explain what words alone cannot. We have created a game that asks of players to experience something very difficult, to have some distressful emotions first-hand. It is very challenging to try to project your own personality into the personality of another in order to understand that person better and relate to their emotions, and that is why we wanted to create an experience about empathy and identification, to take you on an emotional journey, and to engage with these emotions deliberately.