Wednesday 30 April 2014

Event: Italian Horror Cinema: an International Film Conference

Registration for "Italian Horror Cinema: an International Film Conference" at the University of Bedfordshire closes on Friday 2nd May. Delegate passes (£20) can be purchased through this link:​ 

The event takes place on Friday May 9th and Saturday May 10th, in the Judith Blake Theatre on our Luton campus. As part of the second annual "Spaghetti Cinema" festival, it features a range of international speakers on Italian horror films, including a keynote address from Professor Peter Hutchings (Northumbria). We are also very pleased to welcome our special industry guests: Ruggero Deodato (director of Cannibal Holocaust and Last Cannibal World), Luigi Cozzi (director of Contamination and The Killer Must Kill Again), Catriona MacColl (star of City of the Living Dead and The Beyond), and Me Me Lai (star of Last Cannibal World and Eaten Alive!).

The event's website is here:

Tuesday 29 April 2014

15 Second Review: Wolf Creek 2 (2014)

Nearly a decade has passed since the first Wolf Creek was released. Given the amount of time that has elapsed, it is unsurprising that Wolf Creek 2 differs considerably from its predecessor. This is not simply a rehash with alternative characters. The film does follow a similar "trapped in the outback with Mick" plot, but the overall tone is far less sinister. Rather than ratcheting tension, Wolf Creek 2 dives in reasonably swiftly and is built around distinct start-stop set pieces that peak and lull. Subsequently, the 105 minute run-time drags. The inclusion of counter-pointed music and unconvincing CG kangaroos were also unwise choices insofar as they disrupt the horror. Not overtly bloody enough for the gore-fiends, not scary enough for the screamers, not tense enough for the thrill-seekers, not silly enough to be fun, Wolf Creek 2 is a mixed-bag that does not quite come together.

Monday 28 April 2014

Good Language Use: One Can Never Start too Young

This kid, for example, has a very good grasp of how to illustrate how one would correctly use the word 'encountered':

Sunday 27 April 2014

Stop the Secrecy Petition

From the petition website:

"Right now, Obama is meeting with leaders in Asia to finalize the secretive Trans-Pacific Partnership (TPP) agreement.
The TPP threatens to censor your Internet1, kill jobs, undermine environmental safeguards, and remove your democratic rights.
We're going to get the attention of decision-makers and the media by projecting a Stop The Secrecy message on key buildings in Washington D.C. - but we need you to add your voice now.
The TPP is huge: It covers 40% of the global economy and will overwrite national laws affecting people around the world.
The worst of the TPP threatens everything we care about: democracy, jobs, health, the environment, and the Internet.  That's why decision-makers are meeting in Asia under extreme secrecy and pushing 'Fast Track' laws to cement the plan into place.
This is no way to make decisions in the 21st century. We need to raise a loud global call to expose this dangerous secrecy now."

The petition currently has more than 2850000 signatures

Saturday 26 April 2014

Trailer Trash: Wolf Cop (2014)

It had a great poster. Now it has a trashy trailer.
Wolf Cop

Wednesday 23 April 2014

Monday 21 April 2014

Atari Porn Games that Time Forgot

Philly Flasher

Check out this awesome article about old Atari porn games.
Proof that being good graphics are not necessary in order to supply graphic content.

Sunday 20 April 2014

Coming Out as a Porn Star

...Not me, you understand. Sorry to disappoint about the lack of personal confession. Not that anyone wants to see me in porn. This article on Vox about porn stars' coming out experiences is well worth a look:

Now I'm off to watch The Last Temptation of Christ followed by The Passion of the Christ.

Saturday 19 April 2014

I Spit on Your Grave 3

Apparently I Spit on Your Grave 3 is being pre-sold at Cannes. I wouldn't go so far as to say I liked the second film (I'm not sure it is an appropriate way of describing the experience), but it was still powerful. I'd certainly on board for another sequel.

Fingers crossed it gets the subtitle "back from the grave"

Thursday 17 April 2014

Let's Not Get Social

This is truly one of the most hideous things I've ever sat through. If ever there was a case for media effects - the premise that media makes people do terrible things - this is it. I'm certainly thinking about using it (in full) at the next open day, or maybe in the opening session I have with the first years. If I can stand there, tapping my feet, maintaining an earnest, stony expression, they won't know what has hit them. Stick around for the four-minute mark: just when you thought it couldn't get worse...

Sunday 13 April 2014

Dave Naz's Trans Project

This is an interesting series of interviews conducted by Dave Naz entitled Trans.
Here are also a couple of video interviews conducted as part of Dave's Genderqueer project

Saturday 12 April 2014

Porn Performer Welfare: Treasure Island Media's Latest "Snuff-Porn" Stunt

Treasure Island Media have created some contentious porn, much of which is designed to skirt the line between consent and violation. Slammed is one such title, in which the participants ostensibly use hard drugs prior to sex; if the footage is genuine, it is difficult to ascertain the levels of consent involved. 
The company seem to revel in controversy, and their latest release Viral Loads is a desperate attempt to shock. The film purports to depict HIV Positive performers ejaculating into a jar. Once 200 "loads" have been amassed, they are then squirted into Blue Bailey's rectum. Unsurprisingly, the film is picking up some negative press, even within porn-friendly sectors. For example, are referring to Viral Loads as a snuff-film (I won't post a link as it is a NSFW site).
I cannot comment on the film itself as I have not seen it. I do not know whether the liquid collected really is semen, or whether it genuinely has been amassed from HIV-Positive performers. It may be that the film is a fantasy construction, or that the audience achieves pleasure from watching this material because, like viewers of faux-snuff fiction, the audience believes the footage to be contrived. 
However, it is interesting that even if Viral Loads is fantasy, Treasure island Media continue to create and unabashedly market such controversial material while "extreme" production has all but died out in studio-based heteroporn. I am not suggesting that everything in heteroporn is "peachy" or that gay male porn is "worse" in any way. What the brazen Viral Loads campaign does suggest however, is that campaigners who are concerned about porn and issues of harm should principally focus on performer welfare, regardless of the sexual orientation or gender of the performers involved.
Viral Loads raises many difficult ethical questions, but here is the one that most interests me. If: a) the liquid genuinely is semen, b) that semen really has been produced by HIV-Positive men, c) Blue Bailey has consented to having the liquid squirted into his body, and d) Blue Bailey is able to give his consent (if he "of sound mind" to use legal lingo), does anyone have the right to intervene? To object is to infringe on Bailey's autonomy, suggesting that even if he does make a reasoned decision, his choice is invalid - that is, he is incapable of making decisions about his own body, his welfare and so forth. 
The reason I flag this question is that I suspect many people who find the idea of Viral Loads disquieting may not really be thinking about Bailey, or at least not as an individual who made a decision to star in the film. For many objectors, the problem with Viral Loads begins at a broader, more abstract level: with the idea that Treasure Island Media are profiteering from sexual harm, that the film is characteristic of glorified sexual harm that is increasingly visible and pervasive in our culture, or that the notion of viewers taking pleasure in fantasies of sexual harm is indicative of a decline in human compassion, for instance. 
If Bailey really is being exposed to high-risk activities, ensuring that he has made an autonomous choice should be our first concern since he is the one who is directly and immediately exposed to potential harm. Yet, each of the above objections point away from Bailey or the particular performance he engaged in. No matter how valid any of these concerns are then, it is notable that our prevailing paradigms for conceptualising the combination "porn and harm" too readily neglect the individuals directly involved in the performance. It seems to me that such approaches themselves display a lack of compassion or concern for human welfare. 

Friday 11 April 2014

CFP: The Films of Jess Franco (edited collection)

Edited Volume: The Films of Jess Franco
Editors: Antonio Lázaro-Reboll (University of Kent) and Ian Olney (York College of Pennsylvania)
Jesús “Jess” Franco (1930-2013) is one of the most prolific and madly inventive filmmakers in the history of cinema.  His remarkable career spanned more than half a century and produced almost two hundred films shot in Spain and across Europe.  He is best known as the director of jazzy, erotically-charged horror movies featuring mad scientists, lesbian vampires, and women in prison, but dabbled in a multitude of genres from comedy to science-fiction to pornography.  Although he made his career in the ghetto of low-budget exploitation cinema, he managed to create a body of work that is deeply personal, frequently political, and surprisingly poetic.  Franco’s offbeat films command a devoted cult following; they have even developed a mainstream audience in recent years, thanks to their release on DVD and Blu-Ray.  To date, however, they have received relatively little scholarly attention.  The Films of Jess Franco seeks to address this neglect by bringing together original essays on Franco and his movies written from a variety of different theoretical perspectives by noted scholars around the world.  Ultimately, its aim is to encourage a reassessment of this critically undervalued director and his significant contributions to popular European cinema.
The editors of this proposed volume invite original essays on any aspect of Jess Franco’s work; all theoretical approaches are welcome.  Possible topics might include:
·         Franco as Horror Auteur
·         Gender and/or Race in Franco’s Films
·         Queer Franco
·         The Franco Soundtrack
·         Franco’s Non-Horror Films
·         Late Franco (Films of the 1990s and 2000s)
·         Franco as Spanish Filmmaker
·         Franco as Transnational Filmmaker
·         Franco and the Art Film
·         Franco’s Influences
·         Sex and Eroticism in Franco’s Films
·         Franco and Film Adaptation
·         Performance and Stardom in Franco’s Films
·         The Politics of Franco’s Films
·         The Cult of Franco
·         Franco’s Legacy

Please send abstracts of 500 words to Antonio Lázaro-Reboll ( and Ian Olney ( by July 30, 2014.  Final essays will be due January 30, 2015.  Essays should be 6,000-8,000 words in length and should follow MLA guidelines for citation and documentation.

Thursday 10 April 2014

Raid II: the 8 Bit Game

I love an 8-bit game, even if it is pastiche. As part of the promotional campaign for The Raid II (which has received glowing reviews all-round), an 8-bit style game has been created. Apparently it only works on Google Chrome at the moment, but any Chrome users who fancy an "old skool" side-scrolling brawler in the vein of Kung Fu Master can check out the game here.

Friday 4 April 2014

Bill Zebub Died This Year - Again

I'm a little late posting this, but Bill Zebub is becoming increasingly playful with his timings too. For anyone who doesn't know, every year Bill Zebub posts an April Fool's Day prank on his site proclaiming that he is dead. This year he posted the message on March 29th

Bill Zebub dead at age 35 - Saturday, March 29, 2014

Detectives confirmed that the body that was found in an abandoned tower is that of iconoclastic director Bill Zebub. He was fond of going into ruins of medieval buildings late at night, pretending to be a mythical creature.  His death was caused by a fal of 66 meters when he fell off the spiral staircase leading to the top of the tower.  His funeral is closed to the public and the location of his grave will remain secret due to concerns of vandalism

I admire his persistence with the joke. It has an air of Stewart Lee style self-reflexive over-repetition about it. This is one King of the B Movies who is setting himself up for an inevitable early April "boy who cried wolf" death one of these days...


Thursday 3 April 2014

Petition Against Mandatory Certification of DVD Extras

Proposed changes to the VRA stand to prohibit independent distribution companies from releasing comprehensive DVD packages by making it mandatory to submit DVD extras. Since the BBFC charge per minute, the result is that many smaller companies will choose to release extras-free packages, rather than facing the additional costs.

As a DVD lover, I encourage everyone to sign the petition linked here:

Tuesday 1 April 2014

“Snuff” and Amateur Horror

Head over to In Media Res to read Johnny Walker's post on “snuff” and amateur horror:

Global Cult Cinema in the Age of Convergence Network Conference

An AHRC Global Cult Cinema in the Age of Convergence Network Conference Aberystwyth University, UK, Tuesday 15th – Wednesday 16th April 2014

Registration for this event has now been extended to April 8

Please go to the conference website for further details and the registration form.

Keynote speakers:

Professor Barbara Klinger, Indiana University, USA Professor Mark Jancovich, University of East Anglia, UK

Conference events include: A 3D screening of Creature From the Black Lagoon (Jack Arnold, 1954) in association with Abertoir: Wales’ International Horror Festival

While academic study of cult cinema can be traced back to the 1980s, there has recently been a surge of scholarly interest in – alongside an increasing popular awareness of – the field. In particular, the advent and development of digital networks has led to an increasing awareness of a variety of cult followings and access to unprecedented cult films from around the world. Research addressing the changes wrought by increased digitization and global connectivity has, however, been relatively scant, as have sustained attempts to discuss and debate these issues. The aim of this conference (organised in association with the AHRC Global Cult Cinema in the Age of Convergence Network) is to bring together scholars to engage in a sustained dialogue addressing the role of technologies in different areas of cult film culture.
If you have any queries relating to the conference, please email:

Jamie Sexton, Kate Egan, Matt Hills, Emma Pett and Rebecca Edwards (conference organisers)