Two more journals have recently published their end-of-year issues.
Men and Masculinities (
16:5, 2013) contains a number of articles themed around medical issues (TOC below)
Accruing
Masculinity Capital: Dominant and Hegemonic Masculinities in the 2004 Political
Conventions
Sheryl Cunningham, David Domke, Kevin
Coe, Anna Fahey and Nancy Van Leuven
Moving
through Illness with Strong Backs and Soft Fronts: A Substantive Theory of
Men’s Help-seeking during Cancer
Lisa M. Wenger
Using the
Inequitable Gender Norms Scale and Associated HIV Risk Behaviors among Men at
High Risk for HIV in Ghana and Tanzania
Dominick Shattuck, Holly Burke, Catalina
Ramirez, Stacey Succop, Betsy Costenbader, John Dekyem Attafuah, Erasmus
Mndeme, Jessie Mbwambo and Greg Guest
Glitter(Foot)ball
Tactics: Negotiating Mainstream Gender Equality in Iceland
Mafalda Stasi and Adrienne Evans
Psychological
Characteristics of Tunisian Infertile Men: A Research Note
Badii Amamou, Yousri El Kissi, Samir
Hidar, Souhail Bannour, Khadija Ayoubi Idrissi, Hedi Khairi and Bechir Ben Hadj
Ali
The new
mammoth issue of
Film Philosophy (
17:1, 2013) is also available. The issue is
comprised of 25 articles (see TOC below). From next year, the issue format is
being abandoned in favour of a per-article publication system in order to avoid
back-logging. For the time being, the journal is still not accepting new submissions.
The Facts Before Our Eyes: Wittgenstein
and the Film Noir Investigator (1-18)
Keith
Dromm
'How Can It Not Know What It Is?': Self and Other in Ridley Scott’s Blade
Runner (19-50)
Andrew
Norris
Ghost in the Shell 2 , Technicity and the Subject (51-67)
Daniel
Hourigan
Throne of Blood and the Metaphysics of Tragedy (68-83)
Henry
Somers-Hall
'That Man Behind the Curtain': Atheism
and Belief in The Wizard of Oz (84-95)
Justin
Remes
Film Noir as Point de Capiton : Double Indemnity, Structure and Temporality
(96-114)
Ben
Tyrer
Shooting for Dead Time in Gus Van Sant's Elephant (115-133)
William
Little
Bad Memories: Haneke with Locke on Personal Identity and Post-Colonial Guilt
(134-153)
Justine
McGill
‘Misfortune’s Image’: The Cinematic Representation of Trauma in Robert Bresson’s
Mouchette (1967) (154-176)
Mark
Cresswell, Zulfia Karimova
The Ister : Cinema's Interruption (177-192)
Linda
Daley
Otherness and the Renewal of Freedom in Jarmusch's Down by Law : A Levinasian
and Arendtian Reading (193-211)
Mark
Cauchi
Mimesis Reconsidered: Adorno and Tarkovsky contra Habermas
(212-233)
Simon
Mussell
Nietzsche and Bad Conscience on Mosquito Coast (234-244)
James
Edward Gough, Sue Matheson
The Closure of the ‘Gold Window’: From ‘Camera-Eye’ to ‘Brain-Screen’ (245-264)
Morgan
M Adamson
A New/Old Ontology of Film (265-280)
Rafe
McGregor
Internal Needs, Endoxa and the Truth: An Aristotelian Approach to the Popular
Screenplay (281-295)
Daniel
McInerny
Extreme Makeover: Art and Morality in The Shape of Things (296-314)
Joseph
H. Kupfer
‘Even the Ghost was more than one
person’: Hauntology and Authenticity in Todd Haynes’ I’m Not There
(315-330)
Carolyn
D'Cruz, Glenn D'Cruz
I’m Glad I’m Not Me: Subjective Dissolution, Schizoanalysis and Post-Structuralist
Ethics in the Films of Todd Haynes (330-347)
Helen
Darby
Truth, Autobiography and Documentary: Perspectivism in Nietzsche and Herzog (348-366)
Katrina
Mitcheson
Left-over Spaces: The Cinema of the Dardenne Brothers (367-382)
Benoit
Dillet, Tara Puri
Homeopathic Repetition and Memories of Underdevelopment: The Dialectic of
Subjective Experience and Objective Historical Forces (383-401)
Trevor
James Cunnington
Charcoal Matter with Memory: Images of Movement, Time and Duration in the animated
films of William Kentridge. (402-423)
David
H. Fleming
The Philosophical Act of Seeing With
One's Own Eyes: The Silent Films of Stan Brakhage (424-445)
James
Michael Magrini
‘The Epidermis of Reality’: Artaud, the Material Body and Dreyer’s The
Passion of Joan of Arc (445-461)
Ros
Murray